I'm not a good businessman and I don't promote myself particularly well. It's best I don't talk to anybody lest I alienate myself.

I do a lot of pivoting. There was one cover I did of Donald Trump, after he won Iowa, it seemed like it was over for him at the beginning of the primary process. I was given the go-ahead on it right away. I drew it and he won the next primary, and suddenly, the cover didn't make any sense. And then, after the Democratic National Convention, it seemed like he was finished, Hillary Clinton seemed to be gaining strength, so the cover ran then. So it seemed like you can come up with an idea and it can be rendered useless two days later and then all of a sudden it's relevant again.

I like to make myself laugh. When I'm just sitting with a sketchbook and trying to make myself laugh or trying to come up with ideas, I try not to worry about aim right away. I'm just sort of shooting in all directions.

When I'm online and I see a picture I want to draw of anybody or anything, a unique angle of them or just something that looks very drawable, I slide it to my desktop and put it in a folder. It just seems like every picture of Trump is a revelation. Any angle. I didn't know a person could look like that. His facial expressions - he really is a cartoon. He's like an instruction manual of how to caricature someone.

If you can learn to convey what you express in the first rough sketch, you're really saying what you need to say in that.

All my drawings always sort of looked funny even if I was trying to do serious stuff and express myself about grim situations. It was always cartoony.

The back of Donald Trump's head is fantastic and his eyebrows are amazing. His overbite and his series of chins and the color of him and the texture. It's amazing! He's like an artifact. It's an amazing head to draw and I have to think it's got to be part of his success. It's ready-made for public consumption.