If the reader cares, I dont think it matters so much whether your hero is in fact an anti-hero.

I love Japan, and Tokyo is my favorite city.

I make a good living selling hardback books through paper publishers and I have many friends in the industry who will suffer as it changes, so on a personal level the transition to digital isn't something I welcome wholeheartedly.

Publishing for me is a business, not an ideology.

The two most important things to do for self-defense are not to take a martial arts class or get a gun, but to think like the opposition and know where you're most at risk.

I have a long-standing interest in what I like to think of as "forbidden knowledge": methods of unarmed killing, lock picking, breaking and entry, spy stuff, and other things that the government wants only a few select individuals to know.

The job of the screenplay is to identify and extract the essence of the story from the novel and reconfigure it for the screen, maintaining its essence in a different vehicle.