Michael worked one day. Everybody was a little freaked out and nervous because he's a really big star. We were already working with really big stars, but Michael is Michael.

Michael worked one day. Everybody was a little freaked out and nervous because he's a really big star. We were already working with really big stars, but Michael is Michael.

I don't believe in leaving a scene in because it was really hard to shoot, or because it's the reason you took the movie, or because you always wanted to work with an actor . . . If it's not making the movie work, get rid of it.

When you're done shooting, the movie that you're going to release when you're done shooting is as bad as it will ever be. And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I'm really hard on myself and on the movie.

By definition a sequel can't be original. So you've got to figure out what worked the first time around.

I'm not the one or two take guy, but I'm not the 20, 30, 50, 70 take guy either. If I do a bunch of takes, like more than five or six, it's usually for some technical reasons.

The weird thing is that I hate to fly, and the quote that I give people is that every time I get off a plane, I view it as a failed suicide attempt.