I'm not the one or two take guy, but I'm not the 20, 30, 50, 70 take guy either. If I do a bunch of takes, like more than five or six, it's usually for some technical reasons.

There is something about being a director where, for me personally, I get to . . . it's the closest I'll ever come to being able to be a stand up. And to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.

It felt scary because there was no auditioning, no rehearsing.

Growing up, my fascination was all things dinosaur, and as an adult, I've had some success making films about aliens, so this is a dream come true.

It always happens at the end that you're always under the gun because of various schedules and all that.

I don't believe in leaving a scene in because it was really hard to shoot, or because it's the reason you took the movie, or because you always wanted to work with an actor . . . If it's not making the movie work, get rid of it.

They want to let the audience figure things out and let the reaction shot get the laugh.