There's a whole system in Hollywood where the director never speaks to the studio, but I like to engage them in a discussion. I listen.

Trust yourself that you can do it and get it

I feel like a member of any group comprised of outsiders.

In the '60s not everybody was wearing flowers in their hair and flowing caftans.

In terms of the mechanics of story, myth is an intriguing one because we didn't make myth up; myth is an imprinture of the human condition.

In the '80s, everyone wanted to be in opera. It was groovy.

I understand that anything actors are doing, good or bad, is motivated by fear.