I've always seen making movies as a bunch of little births and deaths. We come in. We don't know anybody or very few people that we work with, but the nature of the job pulls us into a sort of an intimate kind of relationship and communication and then they're gone and it's kind of melancholy. You miss that guy but then suddenly you're working with him again maybe somewhere.

We all feel really blessed to have been with my dad for these 85 years.

Yeah, I'm very impressed with Lifetime, this is the first time I've worked with them. I really like the kind of programming that they're into, so I'm hoping that I will.

Some actors, and especially the younger actors, they come into the job with a lot of attention on how they behave and everything when they're not working. Sometimes that can be unfortunate because the work call is pretty intense and the preparation for it. If your focus is there, then the actual doing of the job will be fun and enjoyable. But if you're so involved in trying to be interesting and a character and everything when you're not working, it can get in the way and people get goofed up.

Dylan, myself and my father were in a two hour movie called The Sand Kings, which started off the Outer Limits series. It was sort of the two hour pilot movie.

I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.

And then I got into sports and gave my guitar to my brother Jeff who was just a little kid at that time.