The fact that slavery is written into the Constitution is about as entrenched a form of classism as you could possibly imagine.

In Washington, if you're a congressman or a senator or the President, you make much more money than the average American, but you'd think that if you were the leader of the free world you'd be making major bank, and you don't.

Film is much more visual, a scene is typically a lot shorter, you’re dealing with a lot more characters, a lot more locations and you’re able to rely on things that you just can never do on the stage.

In politics, it's very theatrical. There’s a lot of stage craft. The campaign is trying to tell a story that they want people to believe in, and candidates are playing the role, like actors, by a creative personae that people will be attracted to.

Every director is different. One of the great things about getting to work with so many directors in one TV series is collaborating with different artistic visions and voices. And they all have something to offer and making the story better and bringing their vision to what you see in the frame.

When you're creating new roles out of scratch in my opinion working with the actors is a great asset. You can learn a lot from that.

It's a rough and tumble game whenever power is involved - people's ambitions, their desires, their competitive spirit will often push them to play outside the rules. It's dramatic, it's interesting, and I think it's something we can all identify with to a degree.