Artists need to express.

When you're a dancer who is injured, you are at the bottom of the food chain. We are so replaceable.

I have the greatest picture of Ted [Danson]. That was a big caper: There was one person [opening] the door with a butter knife and another person kicking the door in so I could get a photo. He's decapitated, but totally nude. And he's really well-endowed.

One of the things that's great about doing a show over and over again... is that you have to find ways to make it spontaneous, as though everything is happening for the first time... to continue to mine the material and find new things.

You have to be aware. Like, I'm not going to do any downhill skiing. It looks like a whole lot of fun, but I'm not going to risk breaking a leg. I want to be dancing the way I'm dancing now for 30 more years.

In New York I was always offered the hot, sexy roles. But in L.A. I was offered the plain, dowdy roles. It says a lot about the difference between the coasts

Anything that I do, I try to make it as good as I possibly can.