I'm always working on my own music, too. I've been working on a record for a few years.

I didn't even have a computer until like 10 years ago. I was still using a typewriter until 2002.

With modern recording techniques, and living in the Pro Tools era, the process gets really drawn-out, and it can become painstaking.

I've said for years to wives and mothers, you must start to see yourself as Sarah Connor. You must equip your children with the information they need to survive an ever-changing world.

In Japan, you get on the bullet train or the airplane, and I loved the little speeches the stewardesses would do. They even do little speeches before you play gigs.

For the records I've work on over the last 10 years, I get sent the really compressed version and the non-compressed version, and oftentimes you end up going with the more compressed one because it's what people's ears are attuned to. I think the bigger problem is saturation and people being desensitized.

Sea Change was so specific. From the beginning it was set what it was going to be. All the other ideas that I had at the time I had to put to the side.