I love British humor. It's just so - surreal.

Somebody else is satisfied by five Bentleys. I'm satisfied by a beautiful string arrangement.

It's hard to make music knowing that it's not going to be received by the listener in the way that it should be.

When you work with somebody for a long period of time, you develop a shorthand with everything.

Whether you're aware of it or not, any kind of collage idea becomes a part of how you see the world once you incorporate media and internet and video games and all these things.

For the records I've work on over the last 10 years, I get sent the really compressed version and the non-compressed version, and oftentimes you end up going with the more compressed one because it's what people's ears are attuned to. I think the bigger problem is saturation and people being desensitized.

When I pull out vinyl - which isn't that often anymore - it's undeniable that I get a different feeling. There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer.