I enjoy the collaboration. I always envied people in bands who got to have that interaction.

When you work with somebody for a long period of time, you develop a shorthand with everything.

With modern recording techniques, and living in the Pro Tools era, the process gets really drawn-out, and it can become painstaking.

Anything goes. You always find interesting things that way.

I never had any expectations of winning a Grammy. It wasn't something I was set on, that I was hoping and praying and starving for.

I've been arguing with people for 10 years about tape versus digital, and I believe tape is absolutely essential in getting the sound that's conducive to the enjoyment of music.

There's 40 or 50 songs that nobody's heard that I've done in between albums. There's a whole evolution from Midnite Vultures to Sea Change that's never been released.