I doubt anybody would have pushed me [on the music]. When I was at Sony nobody ever gave me any creative suggestions on the music.

I doubt anybody would have pushed me [on the music]. When I was at Sony nobody ever gave me any creative suggestions on the music.

Being from New York, I wonder why am I inspired by bluegrass and Earl Scruggs? But when I look at the whole history of the banjo, I feel really good about it, including the Earl Scruggs part.

There is a tendency to want to isolate a little bit, from people that might look at me from a fan position, because it's hard to be a real person around them, and I really want that when I'm not out on tour and in that sort of public eye.

I first heard the banjo on the Beverly Hillbillies, and from then on I was banjo-conscious. But I didn't actually get one until my grandfather gave me one, almost by mistake. He knew I was playing a little bit of guitar. He saw a banjo at a flea market and bought it. I took it home with me and just never put it down. I was fifteen.

I think the musical evolution I've gone through has come from all the work with the material.

I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.