Everybody should have a documentary made about themselves. It's amazing what you see and what you learn.

Sometimes you can fix something that went wrong with what you do next and make it better than it would have been if it hadn't gone wrong, as an improviser, and I do know how to do that.

I don't know enough about hip-hop, though I've heard some great hip-hop. I just did a thing with Qwest Love - we did a performance together in Memphis at the Folk Alliance Festival, and we had a great jam and a conversation.

I first heard the banjo on the Beverly Hillbillies, and from then on I was banjo-conscious. But I didn't actually get one until my grandfather gave me one, almost by mistake. He knew I was playing a little bit of guitar. He saw a banjo at a flea market and bought it. I took it home with me and just never put it down. I was fifteen.

There are a lot of chapters to the banjo's history. Part of it are the roots in Africa, where it's a more primitive instrument. Then it comes to the United States where it morphs into the slave music that they created here, which was very African in origin.

I think I'm getting better at being verbal. I used to have a lot of problems with it. I had my own little demons that I was fighting, and I used the banjo as an escape.

I think the musical evolution I've gone through has come from all the work with the material.