I don't have a dime left. I am dependent on my friends for food and a small old-age pension.

Because of my language and the pantomime with which most Europeans accompany their speech, I was catalogued as a heavy.

In the studio the director controls the actor's every move, every inflection, every expression.

The former ruling class kept the community of actors in ignorance by means of various lies.

To portray a maniac offers a compelling challenge.

I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.

I have lived too completely. I think I have known every human emotion.