Women have a predestination to suffering.
In the studio the director controls the actor's every move, every inflection, every expression.
I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.
To win a woman, take her with you to see Dracula.
To portray a maniac offers a compelling challenge.
You can't make people believe in you if you play a horror part with your tongue in your cheek.