I think I was lucky to come of age in a place and time - the American South in the 1960s and '70s - when the machine hadn't completely taken over life. The natural world was still the world, and machines - TV, telephone, cars - were still more or less ancillary, and computers were unheard of in everyday life.

From about the age of 15 or 16 I'd had the notion that I wanted to write fiction, and I'd done enough in college to satisfy myself that I had a knack for it - I wouldn't call it "talent" - though I wondered if I'd ever have the guts to actually commit to it.

It is sort of weird being honored for the worst day of your life.

Eruptions of talent continue to happen in Haiti, in spite of everything.

Maybe the light's at the other end of the tunnel.

I kept going back while I was writing the novel - which never sold, may it rest in peace - and by the time it was finished I had too many connections to Haiti to walk away.

I got brilliant stories from people who'd never set foot in an MFA program and had published very little, and terrible stories from people who'd published a lot and had all the credentials. It was all over the map and that was part of the fun.