I just rediscovered my guitar.

There's a cinematic quality that happens in my mind when I hear something that really lands. An album is just a journal of a life moving through time.

The late '90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio. We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn't get arrested a year later. I had this feeling at the time that that was not possible anymore, so the idea of becoming the biggest band in the country—it seemed laughable. I felt that having those sort of ambitions was foolish, because there was no way that was going to be possible. If you saw it that way, you were just deluding yourself.

The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you're listening to the song because they're so seamless and clever.

To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.

For me, a song doesn't really take flight until it has a lyric on it. ...Without a lyric that I'm happy with, it could be the greatest song ever melodically or arrangement-wise, but it doesn't have any resonance.

Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around. Ten years ago, our reality was spending a lot more time in obscurity before anyone really knew who we were. I don't feel like I have any real advice to give anybody who is starting a band today. As Mike Watt said, "You know, not everyone has the ability to be born at the same time." We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.