To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.

The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you're listening to the song because they're so seamless and clever.

As a songwriter, I'm not necessarily writing about myself or my life.

There's a cinematic quality that happens in my mind when I hear something that really lands. An album is just a journal of a life moving through time.

I've covered Avril Lavigne. I like good pop songs, and I don't think there should be any kind of preconceptions about where good pop songs come from.

There were a lot of fences and walls existing in my life, literally and figuratively, and that was really not indicative of the kind of person that I'd always been. So, when I moved back to Seattle, the first thing I said was, "I will never live in fear again."

When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."