I've always had a soft spot for Phil Collins. He's a great vocalist.

Hall & Oates is one of the few musical groups as satisfying now as it was back then. There's something incredibly musically satisfying about their songs. Nothing has diminished my love for them.

I take things a little bit more critically now, like, "What did I think I was saying in that song? What is this song about?" I thought the lyrics were incredibly descriptive, and now they sound really cryptic and weird. I'd like to also think that when I listen to songs from Something About Airplanes that I'm proud of my development as a writer. I don't think I was doing anything poorly at that time, but I can certainly see how my writing has changed.

Liking interesting things doesn't make you interesting.

Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It's a language aside from the language they have with strangers.

You spend hours alone, only with your thoughts, and you torture yourself. It's a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time.

Anything was better than going to work. All those early tours before we made any money were more like vacations. I don't think it was until 2001 that we pulled our heads out of the sand and were like, "What are we doing?" I don't think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we're in Baltimore trying to figure out what to do with ourselves.