Between every record, we all split off in our own world and we all end up listening to usually pretty different music on our own. We come together not really knowing what the other people having been really listening to and what's been influencing them.

I'm not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.

I think sometimes a narrative can come out of a single word.

And it came to me then that every plan is a tiny prayer to father time.

Anything was better than going to work. All those early tours before we made any money were more like vacations. I don't think it was until 2001 that we pulled our heads out of the sand and were like, "What are we doing?" I don't think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we're in Baltimore trying to figure out what to do with ourselves.

Keeping fans loyal is a delicate balance. Therein lies the challenge for any band that's more than a couple albums deep. It's like, how do you continue to make records that are representative of who you are that your fans will recognize as your band, while still trying to push things forward and present new sounds for people.

The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you're listening to the song because they're so seamless and clever.