You spend hours alone, only with your thoughts, and you torture yourself. It's a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time.

I take things a little bit more critically now, like, "What did I think I was saying in that song? What is this song about?" I thought the lyrics were incredibly descriptive, and now they sound really cryptic and weird. I'd like to also think that when I listen to songs from Something About Airplanes that I'm proud of my development as a writer. I don't think I was doing anything poorly at that time, but I can certainly see how my writing has changed.

I like writing on piano and a computer, and a lot of 'Plans' came out of samples and vocal lines.

Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around. Ten years ago, our reality was spending a lot more time in obscurity before anyone really knew who we were. I don't feel like I have any real advice to give anybody who is starting a band today. As Mike Watt said, "You know, not everyone has the ability to be born at the same time." We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.

We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.

The second 'Postal Service' album is threatening to become the 'Chinese Democracy' of indie rock. It will come out eventually, or maybe it won't.

To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.