Because as any writer will tell you, an IDEA for a book is like falling in love, it's all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

One thing that fiction does is it allows us to take big picture questions, big issues, big moral and socio-political changes and see how they play out on real people's lives, with real individuals.

We forget the conditions - not only in slavery - but after slavery, when there was this purposeful locking out of African Americans from economic opportunity. Or we forget today's incarceration rates, and educational and housing discrimination; all of these things. We pretend that everything that has happened happened long ago, and then we act as if we all now just treat each other equally, everything will be fine.

It must be that there is something in the hearts of human beings, some natural fluid perhaps, that insists on happiness, even confronted with the most powerful arguments against it.

There is little novelty in the detective who cannot solve himself.

The membrane between where we are right now and a very different reality, is so much thinner than we like to think. Things can go back, and things can go to the side, and things can go to places where we might not even have been on guard that they might go. I think that if there is a great gift that this [Donald Trump] election gave us, is this sort of sense of vigilance, the sense that we have to remain on guard. We have to support our free press.

We spend so much time, these days, on forms of literature that don't rise to be literature, and I'm speaking about Twitter posts and quick and hot takes on different websites. We sort of zoom from thing to thing like a hummingbird.