I'll tell you a secret. We live in a mad and inspiring world.

The writer is a definite human phenomenon. He is almost a type - as pugilists are a type. He may be a bad writer - an insipid one or a clumsy one - but there is a bug in him that keeps spinning yarns; and that bulges his brow a bit, narrows his jaws, weakens his eyes and gives him girl children instead of boys. Nobody but a writer can write. People who hang around writers for years - as producers did - who are much smarter and have much better taste, never learn to write.

When you overpay small people you frighten them. They know that their merits or activities entitle them to no such sums as they are receiving. As a result their boss soars out of economic into magic significance.

Immorality, perversion, infidelity, cannibalism, etc., are unassailable by church and civic league if you dress them up in the togas and talliths of the Good Book.

Out of the thousand writers huffing and puffing through movieland there are scarcely fifty men and women of wit or talent. The rest of the fraternity is deadwood. Yet, in a curious way, there is not much difference between the product of a good writer and a bad one. They both have to toe the same mark.

There is nothing as dull as an intellectual ally after a certain age.

A movie is never any better than the stupidest man connected with it.