People's sex habits are as well known in Hollywood as their political opinions, and much less criticized.

The writer is a definite human phenomenon. He is almost a type - as pugilists are a type. He may be a bad writer - an insipid one or a clumsy one - but there is a bug in him that keeps spinning yarns; and that bulges his brow a bit, narrows his jaws, weakens his eyes and gives him girl children instead of boys. Nobody but a writer can write. People who hang around writers for years - as producers did - who are much smarter and have much better taste, never learn to write.

The movies are an eruption of trash that has lamed the American mind and retarded Americans from becoming cultured people.

I have known a number of Don Juans who were good studs and who cavorted between the sheets without a psychiatrist to guide them. But most of the busy love-makers I knew were looking for masculinity rather than practicing it. They were fellows of dubious lust.

Out of the thousand writers huffing and puffing through movieland there are scarcely fifty men and women of wit or talent. The rest of the fraternity is deadwood. Yet, in a curious way, there is not much difference between the product of a good writer and a bad one. They both have to toe the same mark.

There is nothing as dull as an intellectual ally after a certain age.

I have known a handful of producers who actually were equal or superior to the writers with whom they worked. These producers were a new kind of nonwriting writer hatched by the movies - as Australia produced wingless birds. They wrote without pencils or even words. Using a sort of mime-like talent, they could make up things like writers.