The writer is a definite human phenomenon. He is almost a type - as pugilists are a type. He may be a bad writer - an insipid one or a clumsy one - but there is a bug in him that keeps spinning yarns; and that bulges his brow a bit, narrows his jaws, weakens his eyes and gives him girl children instead of boys. Nobody but a writer can write. People who hang around writers for years - as producers did - who are much smarter and have much better taste, never learn to write.

The factors that laid low so whooping and puissant an empire as the old Hollywood are many. I can think of a score, including the barbarian hordes of Television. But there is one that stands out for me in the post-mortem.... The factor had to do with the basis of movie-making: 'Who shall be in charge of telling the story.'

Criticism can never instruct or benefit you. Its chief effect is that of a telegram with dubious news. Praise leaves no glow behind, for it is a writer's habit to remember nothing good of himself. I have usually forgotten those who have admired my work, and seldom anyone who disliked it. Obviously, this is because praise is never enough and censure always too much.

The movies are an eruption of trash that has lamed the American mind and retarded Americans from becoming cultured people.

They're a symbol of the whole town, pretending to fight, love, weep and laugh all the time - and they're phonies, all of them. And I head the list...their phony hearts were dripping with the milk of human kindness.

Out of the seventy movies I've written some ten of them were not entirely waste product.

Prejudice is a raft onto which the shipwrecked mind clambers and paddles to safety.