I think architectural appreciation would be a minor occupation after a nuclear war. People would just be happy to have something to eat.

I think a lot of these terms, nationalistic things, somebody is an American, or somebody is a Frenchman, or somebody is a Jew, I don't know, it doesn't mean anything to me. You really should start augmenting these words, saying what kind. If you want to say somebody is a Jew, what do you mean by that? Does he have blonde hair? I think a lot of these ancient nationalistic and ethnic terms have kind of lost their meaning, or their meaning is so broad, it's nothing. It's like he's connected to the ancient world. Everybody is.

In America, there's a very long tradition of a comic strip that comes in newspapers, which is not true all over the world. To sell papers, they put color comics in. It's worked, up until now. Now these papers can't afford it. They always had minuscule ad budgets, and now the things which people probably read these papers for are gone.

I was born Moishe Ketzelbourd but the Indians call me Maurice Cougar.

Goat curry and a female librarian, that's what I'm in the mood for.

What sort of attractions do you think lured our coreligionists out of the ghetto and into the mainstream of European culture? Was it the wit of Molière, or the ingenious stage mechanisms of Pixérécourt? Or was it simply the opportunity to cast an eye, without shame, upon the living, unclad human form?

A picture story just doesn't run like a film. It doesn't have 24 frames per second. It doesn't deal with this illusion of movement. It's more like if you did an illuminated novel. I think both of those things should be running at full blast, not less of both so it becomes an easier thing. I think it should be twice as dense. That's just what interests me.