The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.

I think the cinema you like has more to do with silence, and the theater you like has more to do with language.

The environment forces you to be utterly dependent between "action" and "cut" because the environment is perfect on your fellow actor. So as an acting exercise, it's absolutely thrilling that the focus that we had to bring to each other echoed in life, echoed in art. And when you get that parallel, it's really thrilling and it's full of surprises, but it all has a logic.

I never read anything in print about me. It started with not reading reviews and with the greatest respect to my publicist here, I never read interviews. I was there when I gave them. I never read reviews. I was there when I did the jobs - so I'm totally immune. I live in a bubble.

The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.

You don't go to a town to present the play and have applause at the end of it, but that's benign conquest. It's a glorious way of exploring other landscapes and other cultures in a very life-affirming way.

If you are a libertine, if you're not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It's like the person who knows they're not trustworthy; they tend to mistrust everyone else.