I've never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I'm deeply fortunate.

I'm so dependent on reacting to the other actors on the set, and to the director. I'm very responsive. I react. And I treasure the energy that reaction gives.

I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can't because they can't face it.

But comedy I'd love to do as much as humanly possible.

I have a rather naive approach, I think, to my job.

I don't do anything that would ever come across as advice or suggestion, but it's just part of a debate. Like, "I would like to try this," or "Let me do another one with more stillness, let me emphasize that." Rather than "I think you should emphasize this, I think" - you know, I don't impose choices.

It is better for me to serve a charity as an actor or a voice, rather than at a luncheon being just a celebrity.