You can certainly extend your adolescence. There's people that are very good at extending it indefinitely.

There were the usual types of things that happen, in a production, like logistical bullshit, and this and that and the other. That's the sort of stuff that happened. But I never felt, in a creative sense, that we were ever veering into a place that I hadn't signed on for.

I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.

Acting is a bit of a heart and soul exercise with me. It's kind of all I've got.

As soon as you start acting in an accent, you're sort of out of your comfort zone. Maybe people start getting used to accents after a long period of time. But as soon as you do that, it's not so much as capturing the sound of the way other people speak, it's being able to actually be and move around in the sound.

Acting is broad enough a church that you can pick your races, decide which way you want to go at different times.I think that the story and circumstance tends to dictate the most and then what you do with your own approach after that.

I think now there's much more of a confessional culture. That's not my bag. I come from a slightly older school of thought: 'give 'em nothin.' You don't plead guilty.