Student journeys which were important to me were Sicily, Greece, and Egypt, where I really saw these buildings, and that is where you're able to grasp what things mean.

Very rarely are we directing or cutting someone elses boards. We concept, direct, shoot, animate and edit almost everything that comes through here.

I see man more as an instrument or an agent more than anything else.

Any ideal system is its own worst enemy, and as soon as you start to implement these visions of grandeur, they just fall apart and turn into a complete tyranny.

At this present time, matter is still the best way to think of architecture, but I'm not so sure for very long. The computer is radicalizing the way we think about our world.

I haven't done any building designs since the Loaf House.

Satire is fascinating stuff. It's deadly serious, and when politics begin to break down, there is a drift towards satire, because it's the only thing that makes any sense.