It's part of developing the whole state of how cinema is; everyone is looking out and engaged rather than it being just a financial thing or sitting back, waiting for scripts to turn up.

Doctor Who is pretty dark, I think. Generally its dark; its always been dark.

There's no way you can shoot low-budget stuff on lots of locations. It's just a practicality thing because every time you move, it costs time and money.

I think a big part of my job is to make an atmosphere on set and have an attitude that it's about experimentation, and you can't do anything wrong. It's not about judgment, it's not about me kicking over a chair and storming onto set and acting stuff out and telling people to copy what I do. That is a style of directing some people have, but I don't understand it.

The things that inspire people to think are what keeps a film alive.

Lots of crime films are about work. Free Fire could have been about a company of plumbers doing pipe-fixing and stuff. But the plumbing film is not so exciting.

The reality of any location in Britain being used in a TV program of a film is that something bad is going to happen! That's the nature of drama. Most of the things that get made or basically grisly detective shows about murders, accidents or medical dramas.