I like that confusion when people are speaking in the same language but still can't understand each other. It's also usually my experience of being in America - when I speak no one can understand what I'm saying.

Film is more of a dream when you're younger. I found it almost impossible to see how you would get into the industry having no connections, nobody in the family being anywhere near it and never meeting anybody that had been on a set.

You can muscle your way to the top as long as you're part of the production, which I am. I'm knitted into the money, so it's very hard to extricate me from the decision-making dynamic.

If you make a movie in the UK you've got to embrace the weather with open arms... We got some of the most amazing weather as well. It's maybe why some of these places, like the Lake District, don't get filmed in so much. If you were trying to make it look like some kind of chocolate box image of England you'd be there all year waiting for the sun to come out.

The only genre I have any problem with is musicals, but that's just my own tastes it's nothing to do with the films.

I'm very superstitious about going on other people's sets. You have to ask permission of the director; you shouldn't just turn up and skulk about in the background. It's very rude. You have to ask them personally. It's like a vampire being invited into a house.

Lots of crime films are about work. Free Fire could have been about a company of plumbers doing pipe-fixing and stuff. But the plumbing film is not so exciting.