It's great for the people who supported me early on to see the success I'm enjoying.

Sometimes during a conversation with a journalist - where you are answering things you never normally talk about, not even with some of your closest friends - you end up being quite confessional, and you don't think about the amplification of that. No matter how fancy these journalists are, they have editors or political leanings behind their publications, which means that, basically, they're going to shape what you've said into an article they've already written. So you have to be really careful with your words.

I'd love to do a noir. I think Steve McQueen is so cool. But a classic film is a classic film, and perhaps the fantasy of being those characters should be left alone. You're treading on very thin ice.

I never was obsessive about anything I watched when I was a kid, except maybe 'The A-Team' and 'Airwolf' And I loved 'Knight Rider' and then later 'Baywatch.'

[Scott Derrickson] is terrific, really sharp on the details, and he's not afraid to go to dark places.

I was very keen to work on the script with Scott Derrickson and [C. Robert] Cargill, and working out the important story beats, changing lines, upping the comedy, changing the pace, all of that was great fun.

It'd be really nice to wake up looking like, I don't know, Jake Gyllenhaal and think "Let's try this on for a day and see how it feels.