I'm aware of the power of looks. I've wanted to play roles that have gone to much better-looking people and you just think 'Oh well, that's the pin up guy's an actor like my friend James Mcavoy, who's gorgeous on screen. I'm not that. But at least I don't have to worry about taking precious care of my face because it's my commodity. That's a great freedom. I'm not afraid of being heinous for the sake of a part

I had a very sparse comic upbringing - not because I was being whipped into reading Chekhov and Dickens, but I read Asterix on holidays when I was a kid, and Tin Tin was featured, I remember, for a few years.

I had a real yearning to make use of the opportunities I had at school. When I heard about the gap year of teaching English at a Tibetan monastery, I knew I had to do something about it really quickly, otherwise it was going to get allocated.

Talking about class terrifies me. There is no way of winning.

There are moments when, like all of us, you get a bit self-conscious and you'd rather not be living any of your day in public. Those are the awkward times, but you've got to have fun with it.

I always seem to be cast as slightly wan, ethereal, troubled intellectuals or physically ambivalent bad lovers. But I'm here to tell you I'm quite the opposite in real life. In fact I'm a f**king fantastic lover.

Someone will always hate what I say. There’s always going to be somebody spitting blood about my wooden-faced, toffee-named, crappy acting.