I struggle to learn by rote. I've had meltdowns on set. Which is embarrassing and shameful.

The awful lesson of history is that we too often ignore people, just because they're foreigners or different from us.

There's so much in the 21st century that is stymied by bureaucracy and mediocrity and committee.

I just want to bring people in a little bit to the idea of sitting down on a Sunday three consecutive weeks and having that water cooler moment that really was a sort of a national sensation in the U.K., 'cause it's kind of fun.

To get a horse to hit a mark without a rider, to get it to stand up, to get it to rear, to get it to pick up a bucket and bring it over is amazing. It's hard work and very rewarding but can be dangerous.

I was very keen to work on the script with Scott Derrickson and [C. Robert] Cargill, and working out the important story beats, changing lines, upping the comedy, changing the pace, all of that was great fun.

I still find to give an interview to be difficult, as any person who deals with the press will tell you. That's why it's nice, with this one, to talk to a friend. But sometimes with a coffee and a friendly smile, I suddenly start talking without thinking about how it's going to be read.