The armoury of having any academic education does not necessarily set you up for being a good or better actor.

I'm very proud of the work I do, but I genuinely can't involve myself with an audience as early as somebody who's not part of the film can. So there's that side of theater that appeals to me, where you give something and the response to what you've created is a communion between you and the dark that contains however many people. It's thrilling not having a reflection other than through the people you're communicating with. But people ask, "What do you prefer?" and I don't have a preference. I love them both. I really do.

[Sherlock Holmes] has to understand the world. That's very much John's [Watson] influence on him. But like a lot of the friendships and relationships in that world, it's born out of necessity. It makes him better. There's a pragmatism to it. It's not whimsical or sentimental. It's born out of necessity.

If you can't fail, you can never get better.

If people ask, 'Are you Sherlock Holmes?', it's horribly naff, but I say, 'I'm not, I just look a bit like him' - which is how I feel. There are bad attributes of his that I really don't share!

Animations are really powerful - it's not just entertainment, it's a very cunning way to get good ideas across.

You'd have to be pretty hard-nosed not to feel some sympathy for the guy [Doctor Strange].