If I'm playing someone who's smart, suddenly every character I've played is smart. If I'm playing a bad guy, every character is a bad guy. I suppose it's that thing where people want to see a through-line to understand you. I mean, you know, I have played pretty ordinary people too.

You let things run in order to have some sanity and be able to do your work and not feel pre-judged.

One of the first roles I had on stage was with a brilliant director in a brilliant play with a brilliant cast, but I just couldn't find my way into the heart of the character. I found myself straining a lot. When it started. I felt lost. That was the Eugène Ionesco play Rhinoceros. I don't think I was prepared for that. I don't think I had the full tool kit to do it justice. It's a very difficult play, it's an extraordinarily difficult part, and I never felt I really got it right. Far from it. To a degree, Hamlet was the same.

I am a PR disaster because I talk too much.

I still find to give an interview to be difficult, as any person who deals with the press will tell you. That's why it's nice, with this one, to talk to a friend. But sometimes with a coffee and a friendly smile, I suddenly start talking without thinking about how it's going to be read.

Marvel always make it fresh so you can give it your personal twist.

I don't live beyond my means. I enjoy luxury and I enjoy the privilege of it, when I can afford it, and I'm in the situation where it's been given to me, but I'm very conscious of what is wasteful.