[While voicing cartoons] you have to lose your sanity and inhibitions and any kind of dignity and just throw yourself around a bit.

I wanted to take the audience on a journey where that transition was funny and awkward. It's the same cynicism that [Strange] has.

To get a horse to hit a mark without a rider, to get it to stand up, to get it to rear, to get it to pick up a bucket and bring it over is amazing. It's hard work and very rewarding but can be dangerous.

There are things that are a given, that you've already established, and obviously, visually, certain iconic things that can't be completely removed, like a certain hat or a certain coat in my case.

There are moments when, like all of us, you get a bit self-conscious and you'd rather not be living any of your day in public. Those are the awkward times, but you've got to have fun with it.

Maybe it's just getting older, but I don't want to miss things.

I'd shift disciplines, whether it was musical instruments or sports or whatever, and it's the same with that.