[While voicing cartoons] you have to lose your sanity and inhibitions and any kind of dignity and just throw yourself around a bit.

I don't call myself an expert because I've played experts. I know a little bit about very little. But it's very hard to not be drawn into saying something, especially if it has to do with the work.

Talking about class terrifies me. There is no way of winning.

You'd have to be pretty hard-nosed not to feel some sympathy for the guy [Doctor Strange].

There are very specific demands, though, in television, and you notice the budget constrictions. It's the time constraint and a purse constraint more than anything else that you notice. But the ambition of the writing and, hopefully, the delivery of it gets better and better because we want to outdo ourselves to keep ahead of a very expectant and hungry public.

It's an interesting arc. You start with a character [Doctor Strange] who's likeable and charming but very arrogant and distant. He's funny but you can see there are massive holes in his life. It's a very painful transition and all that he becomes is tested so quickly and violently.

I think I'm a very good driver. Apparently, the cause of road rage - as with most anger - is some kind of superiority complex, which, god knows, cars foster.