I'm not saying I'm a writer, but I've been in movies for a long time, and I think I could write a script for a movie.

License to Kill' is not one of the great Bond movies.

Villains used to always die in the end. Even the monsters. Frankenstein, Dracula - you'd kill them with a stake. Now the nightmare guy comes back.

The very first things that I did, even in theater, were bad guys. They are meaty roles for the most part. With the bad guy you have more freedom to experiment and go further out than with a good guy.

I've had people ask me: 'How can you make a movie about a murderer? A terrorist?' What they don't understand is that I'm in support of everyone who appears on screen. I have to be. I take the position of everyone who's on screen. I'm not judging them one way or another.

To be honest with you, I'd rather not be working. When you work, there are all sorts of deadlines and pressures. I like to do one thing and take my time to do the other one.

Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.