I wondered about the science of storms and how sometimes it seemed that a storm wanted to break the world and how the world refused to break.

It's a complex thing when you're writing a novel, because so much of it is conscious and planned and deliberate, and so much of it is not, and it has to be a dance between the conscious and the unconscious. I bring my best instincts to my work. For instance - and I come by this naturally, or I think I do - I am a very good judge of character.

Young men and women come of age when they look at their parents and see them not only as their parents but as people. They gain a lot of compassion, and it's easier to accept their flaws.

The summer sun was not meant for boys like me. Boys like me belonged to the rain.

Why do we smile? Why do we laugh? Why do we feel alone? Why are we sad and confused? Why do we read poetry? Why do we cry when we see a painting? Why is there a riot in the heart when we love? Why do we feel shame? What is that thing in the pit of your stomach called desire?

I'm an ex-Catholic priest. I have such a complex relationship to Catholicism. On the one hand, if I called myself a Catholic it would have to be a very unorthodox one, as I just don't believe all of the teachings of the Church. But on the other hand, I'm an educated man because the Catholic Church educated me. It gave me something that is really important to me. So I always think about my faith. I always have it, and sometimes I can't talk about it, and sometimes I can. I am like an adolescent in that way. Teens are asking questions: who is God and what does it mean to have faith?

I got to thinking that poems were like people. Some people you got right off the bat. Some people you just didn't get--and never would get.