Well, for me, the real excitement of doing physical things in films, whether you're talking about a fight scene or a stunt sequence or even a love scene, for that matter, is by necessity it has to be choreographed very much like a dance. That being said, you have to rehearse it over and over again and find a mathematical precision.

I think all actors are on the constant search for a real challenge just to keep things interesting.

On a national level there is a tendency to portray Latino culture as a monolithic entity, which is a really inaccurate way of seeing ourselves. There is as much diversity and uniqueness within the Latino culture as there is in any other kind of American culture.

I have always been of the mind that good work is good work, whether performed on stage, on television or in film and, like any reasonable actor, I keep my options open.

I've made a career over the last seventeen years of mostly playing men in uniform, especially cops. The one thing for an actor that is death, is if you're bored. The boredom will show in your work.

I've made a career over the last seventeen years of mostly playing men in uniform, especially cops. The one thing for an actor that is completely death is if you're bored, because that boredom will show in your work. So there was an inherent challenge in trying to keep it fresh, because it's something that I'm familiar with, but the real draw for me was at long last to work with Halle. She and I had come close to working on two other films together prior to this one that unfortunately had fallen apart for various reasons.

Film and television essentially feel the same when you're doing it, because it's the same technical approach.