The real self is who you are when you're at home, when you're comfortable, and the false self is what you're pretending - and the reason you pretend is because you want to create a character for the surroundings you're within.

I was very rebellious, but my family was strict Christians - they would ask us, "What's the shortest verse in the Bible?" and I was the one who always said "John 11:35" straightaway. It stayed with me, the Bible has stayed with me.

Even if someone thinks there's a mistake I've made on the piano, to me it's not a mistake; it's how it's meant to be.

Some people will never be able to get their real self, but that's fine, because their fake self is also part of them.

I wasn't quite used to writing a diary - I didn't understand why people did it - but I wrote down notes and they went into a poem.

On-stage, I definitely want to use my real self because I'm singing to people who believe in what I'm singing, and I believe in what I'm singing, but they shouldn't be fooled because we all have fake selves and it's in there somewhere. It's not pretending to hurt somebody; it's just something that comes out of me, from my experience.

I felt like I was homeless anyway, so the change in environment wasn't that much of a big deal. I felt pretty much the same. After six months of living on the streets [in Camden], I started singing, busking.