Working with Waylon Jennings and Willie Nelson takes you up another level.
I think we've always been better live.
I try to find little things that you can do to move the song along and things that serve the song.
We started with Denny Cordell, and he was a great record producer. He knew exactly how to take a band that knew absolutely nothing, and guide you without trying to tell you what to do.
I loved Mal Evans holding one note down on You Won't See Me from Rubber Soul.
I think I drift toward sad love songs.