Generally there are always a few things that get left off for some reason or other, although the criteria for inclusion vary from project to project.

A lot of ideas get re-used and made part of new songs if the first version didn't cut the mustard, and the stuff that gets left off usually contained the germ of something good but failed to reach a satisfactory state by the recording stage.

It feels like we've grown enough as musicians over the last few years to go new places, and our conceptual and compositional abilities have developed along with it, so we're pushing all the envelopes we can at the same time and it still feels like cutting edge work to us. It seems to resonate with people.

Generally there are always a few things that get left off for some reason or other, although the criteria for inclusion vary from project to project.

Where Snah [Hans Magnus Ryan] is a melody and texture man, I am more of a riff, rhythm and concept guy. I am much better than him in certain fields, and he surely wipes the floor with me in others, and we both know it's like that.

We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.

I really liked Beyond The Valley Of The Dolls and a couple of others, but with these kinds of movies the best part is the 'talking about it over a beer afterwards' bit - and once is kind of enough.