People recognize me, I have scripts, and auditions. And I meet great people.

Marlene Dietrich for the way there was something so unique about her - the way she entered into a frame and everybody looks at her and the way she winks and looks up.

A character is never entirely white or black, there's never entirely right or wrong. You have to realize sometimes you face something, and then you change your mind, or then you realize you were wrong.

Ever since the movie premiered at Cannes, I've had a sudden surge of scripts and interest.

I tried to find a character and how I would be an American actress in the 30s. But if this was a talking movie [The Artist], I'm sure she would be exactly the same for me.

Even in the very beginning when she would bump into George Valentine and people would start taking pictures of her, she never thought "I'm with George Valentine. I need to get a picture with him." She's like "oh that's funny. Everyone's taking pictures!"

I'm okay. Nobody's bothering me. Everyone's very kind, and very polite. I don't feel like my whole life changed.