In France, it's always about life, normal life. We always stick with these realistic things. So when French people are dreaming about American movies, they go and see the thrillers, and Westerns, and science fiction, huge entertaining movies.

People recognize me, I have scripts, and auditions. And I meet great people.

Right now I'm the most famous silent movie actress in the world and I want to keep that for me. So I hope there's not going to be any other silent movies.

I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.

Even in the very beginning when she would bump into George Valentine and people would start taking pictures of her, she never thought "I'm with George Valentine. I need to get a picture with him." She's like "oh that's funny. Everyone's taking pictures!"

For us, as actors, and even for the director, it gave us a sense of authenticity to what we were doing because we were talking about Hollywood and we were in Hollywood.

I think the approach of the character for us is the same in a silent movie as in a talking movie because we had balance, we had lines to learn.