I've discovered that Motown and Broadway have a lot in common - a family of wonderfully talented, passionate, hardworking young people, fiercely competitive but also full of love and appreciation for the work, for each other and for the people in the audience.

Every day I watched how a bare metal frame, rolling down the line would come off the other end, a spanking brand new car. What a great idea! Maybe, I could do the same thing with my music. Create a place where a kid off the street could walk in one door, an unknown, go through a process, and come out another door, a star.

It's like losing a son because I loved Michael and Michael loved me. But you know, as when people grow up and they make their own decisions and they move forward, there's a distance, and I think that Michael in some cases might have gone too far with some of the things he was doing.

Motown was about music for all people – white and black, blue and green, cops and the robbers. I was reluctant to have our music alienate anyone.

His [Michael Jackson] behavior was weird, but when you get an artist and a genius, many of the geniuses throughout our whole history were weird. And they did weird things because none of us could understand what was on their mind and why they did what they did.

I have this ability to find this hidden talent in people that sometimes even they didn't know they had.

Money had never been the main thing for me. It's the legacy that was important.