I learned what every dreaming child needs to know, that no horizon is so far you cannot get above it or beyond it.

That's what makes death so hard--unsatisfied curiosity

Africa is mystic; it is wild; it is a sweltering inferno; it is a photographer's paradise, a hunter's Valhalla, an escapist's Utopia. It is what you will, and it withstands all interpretations. It is the last vestige of a dead world or the cradle of a shiny new one. To a lot of people, as to myself, it is just 'home'. It is all these things but one thing - it is never dull.

A man can be riddled with malaria for years on end, with its chills and its fevers and its nightmares, but if one day he sees that the water from his kidneys is black, he knows he will not leave that place again, wherever he is, or wherever he hoped to be.

But the soul of Africa, its integrity, the slow inexorable pulse of its life, is its own and of such singular rhythm that no outsider, unless steeped from childhood in its endless, even beat, can ever hope to experience it, except only as a bystander might experience a Masai war dance knowing nothing of its music nor the meaning of its steps.

What a child does not know and does not want to know of race and color and class, he learns soon enough as he grows to see each man flipped inexorably into some predestined groove like a penny or a sovereign in a banker's rack.

[Elephants] are less agile and physically less adaptable than ourselves - Nature having developed their bodies in one direction and their brains in another, while human beings, on the other hand, drew from Mr. Darwin's lottery of evolution both the winning ticket and the stub to match it. This, I suppose, is why we are so wonderful and can make movies and electric razors and wireless sets - and guns with which to shoot the elephant, the hare, clay pigeons, and each other.