Someone told me once that Lucinda Williams takes six years between albums, and that's what stuck to me; it's like, you really are a factory. You don't do things to make them, on your own time.

The thing about being on the majors, from the beginning, going into this, I was like, "I'm not going to be treated like a factory," because that's never the way it was done before. You're talking about a major label, we're talking about serious business; you're not an artist anymore, you're a business, you have to work in terms of product, you have to release a product, and I don't really think that way at all.

Because I didn't have any queer, lesbian, female role models I hated my own femininity and had to look deep within myself to create an identity that worked for me. Pop culture just doesn't hand us enough variety to choose from.

Reclaiming the word fat was the most empowering step in my progress. I stopped using it for insult or degradation and instead replaced it with truth, because the truth is that I am fat, and that's ok. So now when someone calls me fat, I agree, whereas before I would get embarrassed and emotional.

I have a very good relationship with myself. My favourite quote is, "What you think about me is none of my business."

I have no control over what people think of me but I have 100% control of what I think of myself, and that is so important. And not just about your body, but so many ways of confidence. You're constantly learning how to be confident, aren't you?

I've had people ask me in interviews what it's like to have money, but that's not how it is. I have a middle-class life. I have a room in London but not a house, nor a BMW.