Someone told me once that Lucinda Williams takes six years between albums, and that's what stuck to me; it's like, you really are a factory. You don't do things to make them, on your own time.

Life is not about creating an unreal existence. People should be challenged to find something cool about the mundane.

My life hasn't been conventional and it hasn't been linear. I've had to make it up as I've gone along, which has taught me a lot. If you don't accept the obvious options that are laid out for you, it's up to you to work out where you're going and to create your own specific rules and goals.

The thing about being on the majors, from the beginning, going into this, I was like, "I'm not going to be treated like a factory," because that's never the way it was done before. You're talking about a major label, we're talking about serious business; you're not an artist anymore, you're a business, you have to work in terms of product, you have to release a product, and I don't really think that way at all.

I worshipped Ethel Merman and I worshipped Ethel Merman a lot. It's incredible - Ethel Merman was a conventional singer. Her naming her child Ethel Merman, Jr., was, to me, one of the coolest feminist things.

I have a very good relationship with myself. My favourite quote is, "What you think about me is none of my business."

I'm constantly thinking about what I'll do next. I never count on music being a career of longevity. I mean, longevity is key, and I hope that it lasts, but you just don't know, because it's not in your hands, you don't make the decision.