For years now I have run a kitchen-sink punk salon in my house, called Salon du Gay. In the early days, people would pay for a riot grrrl bob or a passable bleach job with a mixtape, $3 or a selection of baked goods - whichever they could afford. More recently though, with Gossip doing well, I've performed these punk hair transformations for free.

I am tired of spending a little bit of money in a lot of pieces because they keep on falling apart.

I don't love the word luxury because it feels Bougy to me.

The shape is the most important to me because it is what really matters and what's really missing in the market. Anything else is easier.

When you get a certain amount of media attention, I think people are like, "Where's your other album?"

High school wasn't so bad though because, by then, I had worked out that there were far more nerdy kids and poor kids than there were rich, popular kids, so, at the very least, we had them outnumbered.

I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."